Come on, let's go. >> I ain't getting in no cage. >> Well, I didn't invite you in the cage. I work with a detective. I mean, he's a he's a really good friend of mine. You killed his daughter in that fire. I mean, I knew her all life. She was just one of those people made the world a better place. I mean, she just had a glow, a chief at CFD. He told me arsonists like to return to the scene of the crime, but I had a real strong hunch. You would anyway because I know this crime was personal. You want to hurt someone cuz someone hurt you. Tell me if I'm wrong. >> Tell me if I'm wrong. >> So who was it? Who pissed you off? Huh? Who broke your little heart? >> I have the right to remain silent. I understand that right. And I do not wish to speak with you. >> You're going to tell me why you lit that fire. Pull in. >> Are you going to feel pain like you never imagined was possible? >> I have the right to remain silent. Yeah. >> Get Get off. Get out. Come on, Al. Come on, Al. >> Get out. Come on, man. >> Get off. Get up. >> Come on, man. >> Get Get off me. >> Hey, it's okay. We're good. Door's locked. We're good. >> Hank, take a walk, man. Give me the keys. >> Al, >> give me the keys. >> Al, listen to me. >> We're going to turn them over to the States. >> No, we're not. >> Yes, we are. >> No, we're not. Look, it's killing me, but it's the only way out. >> Hey, when Justin was killed, what did you do? Huh? Would you have let anybody stop me if they tried? >> We got 39 families looking for justice. Not just one. >> Also, you don't think that they'd be happy to hear that this animal was stretched out of the river? >> I don't know that. I don't know that. And neither do you. And that's why it's got to go down this way. >> Give me the key. >> I can't do that, Al. I'm sorry. >> I'm warning you, man. >> Well, then you're going to have to go through me to get him out. Go ahead. Al heard you had a suspect. Wanted to check in. >> There he is. >> He confessed. Okay. To who? >> Me. >> Here. Put this on. There's a microphone behind the belt buckle. What if Kagori checks the bag? >> That's what the flash roll is for. Aren't you supposed to be like a professional cook or something? You got any rap at all? >> It's an open concourse. We'll maintain visual and audio contact throughout. If things go pear-shaped, we'll drop your partner. Promise you that. >> Guys are scarier than the criminals. >> Keep that in mind. Why am I here? >> Because your first wife died in a car accident 8 years ago in Portland. >> I want out of here now. My wife passed away. You have no right. >> Burst into flames because of a steering fluid leak. Detectives and the insurance company liked you for it, but they couldn't make the case. >> I'm giving you one more chance. >> Don't make me come in there. I'm asking nicely. Just get straight with me now. I'll help you with your statement. Go to hell. [Music] [Music] It was an accident. I don't care what the Portland cops said. >> Then why'd you change your name? >> I wanted a fresh start. >> See, I'm not buying any of that. >> You're forgetting I was there when the bomb went off at the cafe, >> protected by a stainless steel kitchen where you knew the blast wouldn't hit you. Okay. Well, just because you don't believe me doesn't mean I'm guilty. >> That is true. But what Sam Carton is saying upstairs sure does. >> You got to be pretty desperate to hire an excon who's doing electrical work for you. >> I don't even know who that is. >> Why did you do it? For the insurance money or do you just hate women? That's for your wife who died today. >> That's for your wife you killed 8 years ago. >> Stop. [Music] >> There's a big part of me that wants to walk out of here right now and let you take the whole ride. But I dislike Cardon even more than I dislike you. So, I'm giving you this one shot. Tell me what happened. A to Z. If you don't, I go upstairs. We go with Carden's version. >> I didn't do anything. I don't know who Sam Carden is. >> Listen to me. If I walk out of here, that deal walks out with me. [Music] >> All right. >> All right. What? >> I'll give a statement. >> You the medic, huh? H look familiar. >> I'm telling you, these girls, they come to me, they don't like the path they're on, I give them a chance to start over, make some cash. It >> So So what's this for? >> Scare tactics. Yeah, I've heard of those. Me, >> I prefer actual physical violence. >> Yeah. >> Yeah. Look at me. Hey, look at me. [Music] Why so afraid? >> I'm just a middleman. I bring in the girls, but I don't run them. >> Give me a name. >> If he knows I've been pitched, she's gone already. >> A name? [Music] We've been working with some pretty sharp detectives from New York. I think we got you figured out. >> You don't say it. >> You pull the strings. Dale Vance does the dirty work. >> I have no idea what you're talking about. Take a walk. Take a walk. [Music] >> Now hit that face. Where's B? I have rights which I've been attempting to exercise repeated. >> I can't begin to try to understand what goes through someone's head would rape and murder a woman. >> So I got to ask you, why cut off the ear? Can you explain that to me? >> No, because I have life. >> Vance brings it back. You both get your rocks off on it, right? Probably had him explain to you in detail what it was like, what you went through. Instead of hearing about it, how about I show you firsthand? >> Get away from me. I have right. >> I have right. >> You got me. You sick. >> Where's Van? No, you can't do that. >> Wait a sec. That's the wrong ear. You have bands cut off the right one. Correct. >> I haven't done anything. >> You tell me where Vans is right now. Are they going to carry you out of here in sandwich bags? >> Yeah. >> Navy beer. Navy beer. I'm supposed to meet him in a half an hour at Navy Beer. Here we go. Opened up on a couple of cops last night, huh, Carl? That hurt my feelings. [Music] Don't you have some paperwork to do, Kevin? >> Yeah. Yeah, I got some typing to do. You grow up Catholic, Carl. I mean, most Poles are Catholic, right? remember hearing about purgatory? If you weren't paying attention, it's uh it's a way station between heaven and hell. It's like this place. Heaven for you is upstairs. Cup of coffee, comfortable chair, we talk. You tell me why you opened up on two cups. put a girl in the hospital with a hole in her neck clinging to life. Hell, it's a place we call the silos. About a 15-minute drive from here. Where do you want to go? I assume I'm free to go. >> Where is she? >> Where's who? >> Antonio Dawson's daughter. >> Daughter? What the hell are you talking about? >> You had a deal with Antonio? You think he screwed you, so you had someone grab his daughter? >> You think I'm stupid? I'm trying to get out of jail. Why would I kidnap a cop's daughter? >> You better be telling the truth, Patty. or you and me, we're going to have a problem. [Music] >> Who told you to kill Wilson? >> I don't know what you're talking about. Get up. Get up. >> I need a name, dear. I don't have time for this. So, who was it? >> Who told you Wilson was working with the police? Is it your boy Trey? >> I ain't a snitch. >> Dion, we know you did the murder. Deontree told you he was working with us. So you went to that meet, you saw our van, and you pulled that trigger. Is that right? Huh? Listen to me. Now is your chance to come clean. You give me the information. I wouldn't be home with your cute little girlfriend in the next hour. You don't. I'll go back. I'll pick up your uncle Phil and I'll arrest him for harboring a fugitive. >> Uncle Phil's clean. You can't put that on him. I ain't no snitch. Okay. You want to give up on your own? You know what? I can respect that. I can. But a white cop, man. You don't owe him a damn thing. Brian Kelton. You know that name? >> No. >> You ever seen that man before? >> Hell no. Look again. Look, I don't know him and I'm done talking. I want a lawyer now. Heat. [Music] Heat. [Music]